Yamamoto Sayaka (Sayaka) / 1st Generation

And a picture with Wasamin at Utacon.



https://twitter.com/wasaminnn/status/1118123728934596608

 

Long interview in Natalie Music

about playing small venues

── This time around a small live house, why did you decide to make such a tour?

This sense of scale is the best thing to restart. I think that it would be better for me to get to the big place after getting experience, rather than going to the big place soon after starting, so I think that I was a person who went to a live house so I felt there I decided that I wanted the fun of watching live at the house to be felt by those who came to my live.

── Have there been any changes in tension as a result of changing from a large-sized live house such as a hall or Zepp to a smaller one?

There is. Until now, the distance to the audience was long and there was also an environment called a hall, and it was a feeling of "everyone, please listen". In the live house, you can directly transmit the sound, and since the distance is short, you can live in the sense of "Let's enjoy together" which was not possible until now. I think that you can find out how to enjoy live at the live house in this tour.

about the past vs the future

── So far, Yamamoto has released two albums in parallel with the group activities, but now when he has started working as a singer-songwriter in earnest, his experience with past works is now his activity What kind of influence does it have on?

At that time, I was still working on the group activities and I was making time to work, so I was thinking that the schedule was relatively tight, but I still thought that there was only a way to do that, but I think now I think that I did something hard. So now I feel like I can "do whatever I can do" and I think I want to leave something more mature than what I had with those two albums.

── If you do so, now the way you look at making works has changed too.

I agree. I used to feel that "I have to make a song in this period, so I have to start making lyrics and melodies from this," but now I am always in a production period, so I feel like "I should make it on this day" There is a hard time I can not do, and I also feel the hard time I have to input daily. So there are places where it is difficult to switch your mind when making a song.










https://natalie.mu/music/pp/yamamotosayaka02

 

There were three stories yesterday: the interview above, about meeting with NMB (in the graduated members thread and a brief mention in the NMB thread), and this one that I have been waiting 24 hours to post, a story about the Okinawa film festival.

Sayaka Yamamoto, solo first Okinawa International Film Festival overwhelmingly beautiful voice <11th Okinawa International Film Festival>

I have participated in the film festival as NMB 48, but I graduated and this is my first solo appearance. While revealing her mentality, she said, "Thank you very much."







https://mdpr.jp/music/detail/1834445

 

^ It's just google (automatic translate in Chrome), but I try and clean up the English a little. However, there are still lots of parts that aren't really well written English. For example, "This time around a small live house" should be something like "this time you are playing live in small venues." While a lot of people laugh at what google produces, in many cases it is good enough to give you the sense of what is being said; that is usually good enough for me.

 

Who is this girl?









https://www.instagram.com/p/Bw4aePogRA7/

It rated a story in the press.

Singer-songwriter Sayaka Yamamoto releases private shots in uniform from childhood. Fans on the net are cheering at the continuous pitch, which is composed of "time series".

　Yamamoto updated her own Instagram on April 30. Just before the beginning of the new era "Reiwa", and wrote a comment with "Thank you, Heisei".

https://www.musicvoice.jp/news/201904300118847/

 

From her twitter:





https://twitter.com/SayakaNeon/status/1125029053885341698